Think of this as someone refusing an award, saying, "Oh no, I couldn't possibly. Caesar has staged a mock refusal of the crown, thinking that he will build a desire in his audience (the plebeians) that he eventually accept it. Later in the scene, Casca enters and reports on the offstage theater that has taken place. ![]() A number of characters use theater in an attempt to persuade.ĭuring the first meeting of Cassius and Brutus, (Act I, Scene 2), they hear a number of shouts. In Julius Caesar, theatricality is both an example of one of the major themes of the play, persuasion, and a comment on the deterioration of the state of Rome. Playwrights of the time, and Shakespeare in particular, made use of this metaphor in a number of ways (for an interesting example, take a look at Hamlet and the play within a play, The Mousetrap). Her subjects were both her fellow actors and her audience. ![]() Queen Elizabeth staged many public processions and scenes and created and lived the role of the Virgin Queen. It is a common trope of Elizabethan thinking to draw attention to life's fictions. ![]() At this moment of highest drama, one of the chief actors of this piece draws attention to its theatricality. In states unborn and accents yet unknown!Ĭassius speaks these words in Act 3, Scene 1 just as he convinces the exultant conspirators to smear their hands with Caesar's blood. Shall this our lofty scene be acted over,
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